When I told my parents that I was going to move from West Virginia to New York, at the ripe old age of 33, to pursue my dream of acting, my mother said: 'You're going to be a writer.'
I'm not sure what she based that on because I hadn't been seriously applying myself as a writer up to that point, but my father always said she was 'witchy'.
At any rate, I moved to New York and chased my dream: studying with Ed Morehouse at HB Studio, doing many showcase productions, the usual. Then I met my wife in one of these showcase productions, and we eventually had a child, which put the acting on hold as we took a sabbatical to see to raising our daughter. Then I saw an ad in Backstage for auditions for a production of The Trip to Bountiful. All the parts were regional and the men were all in my age range, so I had to do it. Since I had no monologue that was appropriate, I decided to write one based on my grandfather, who was a farmer in Kentucky.
That monologue changed our lives. I was cast in the play. Ellen Burstyn was the lead, and through her we found Nyack, NY, where we have lived ever since. I also got into Actors Equity through that production. After that experience, my wife said these fateful words to me, 'See what happens when you write?'
Indeed.
Since then I have written many full length plays and a few one acts (one of which won some awards). About 2008 or 2009, I decided to combine my acting and writing and try my hand at solo work; I have written and performed six solo pieces, most recently Like a Sack of Potatoes at the Edinburgh Fringe Festival in Scotland, where I received a four star review!
My play Where the Rain Never Falls was broadcast on WBAI radio, in New York.
In 2016 my wife and I performed in Beckett's Happy Days in the historic Byrdcliffe Theater in Woodstock, NY (where I also performed a number of my solo pieces).
I have been affiliated with several groups over the years, including: Woodstock Fringe Playwrights Unit; Theatre Artists Workshop, Supporting Players; Blueberry Pond Writers Workshop; Hudson Valley Professional Playwrights Lab; The Genesius Guild; Pulse Ensemble and Westchester Collaborative Theater.
Among my other credits, I was directed by Edward Albee in his play Counting the Ways, and appeared in the John Sayles film Matewan.
Along with Actors Equity, I am a member of the Dramatists Guild and SAG/AFTRA.
The Trip to Bountiful (w/ Ellen Burstyn) |
Roy | Phoenix Theatre, Purchase, NY/ Theatrefest, Montclair, NJ |
Counting the Ways (written and direct by Edward Albee) |
He | Charleston, WV |
Happy Days | Willie | Byrdcliffe Theater, Woodstock, NY |
Where the Rain Never Falls | Dewey Painter | WBAI Radio Broadcase |
Breaking the Code | Knox | Woodstock Fringe, Woodstock, NY |
It Can't Happen Here | Martin | Woodstock Fringe Festival, NY |
Thirty Odd Years | Uncle Lee | Samuel French Fesitval |
George Dandan (Moliere) | Colin | 7th St. Church, NYC |
Rocket to the Moon (Odets) | Frenchy | 29th St. Theatre, NYC |
The Days Between (Anderson) | David Ives (lead) | 29th St. Theatre, NYC |
Twelve Angry Men | Foreman | ATA, NYC |
The Grass Eats the Horse (Eric Blau) | Ensemble | St. Marks Church on the Bowery |
Agamemnon | Chorus Leader | Sidewalks Theatre, NYC |
Sci Fi | Tom | dir. Cynthia Belgrave, Bklyn |
What of the Bird? | Hobart | Depot Theater, Garrison, NY |
The Zoo Story | Jerry | Rising Suns, Charleston, WV |
Like a Sack of Potatoes | Frances |
Edinburgh Fringe Festival, 4 Star Review Midtown International Theater Festival, NYC One Man Talking Festival, NYC |
Old Hickory | Jimmy |
World Premiere, Woodstock Fringe Festival One Man Talking Festival, NYC |
Letter of Resignation | Herb |
One Man Talking Festival, NYC Shades Rep, Haverstraw, NY |
Preston's Spot | Bobby | One Man Talking Festival, NYC |
The Red Hand of O'Neill | James O'Neill | One Man Talking Festival, NYC |
Matewan | Native Miner | John Sayles, Dir. |
High Road, Low Road | Tommy | New Directors/New Films, MOMA |
Escape from Safehaven | Hatchet (Principal) | Sony Films |
Posed for Murder | Detective Murphy (Principal) | Fox/Fury Productions |
Underground Terror | Weasel (Principal) | Sony Films |
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'Like A Sack of Potatoes' "masterfully written . . . a character with real depth . . . who nevertheless possesses an intelligence and sensitivity that belies the Hillbilly stereotype" 4 Star Review ★★★★, North West End UK
'Old Hickory' “I have a soft spot for one person shows that attempt to expose deeply felt, raw extreme motions and situations of human life. I like it even more when the writer/performer mixes wit with a descriptive power that brings us directly into the place where these emotions live. . . Siler's Southern storytelling voice rings true . . . This is a must see show . . .” New York Theatre Wire